Let the (g)hosts be your guide on a journey, revealing other versions or dimensions of the world as we know it in this dance piece by fieldworks.
While everything is on hold, we pretend, we simulate, we try to continue and make do. While we reconsider the history that is our point of reference, we imagine the future in which we will all be here together again. We collaborate across distances and stage the spaces in which presently absent performers may one day make an appearance.
In gone here (yet) to come, the theater space becomes a canvas onto which different realities are projected. The performance molds and sculpts the space and the air that fills it. It transforms time. It highlights what lies outside of this space: its margins and edges, and what pours in through the cracks and holes in the boundaries that define it. Digging, deeper and deeper, into the space and the time of the theater, gone here (yet) to come excavates lost memories. (G)hosts guide the audience on a journey, revealing other versions or dimensions of the world as we know it.
Avdal and Shinozaki have been collaborating since 2000 and founded their own company fieldworks. They have visited Black Box teater on a regular basis and create projects in both theatrical and non-theatrical environments and spaces such as offices, hotels, supermarkets, etc. Through interaction with those familiar spaces and by treating them slightly differently, they suggest rethinking the notion of the everyday itself.