How does new technology shape our understanding of ourselves? NFTs: Non Fuckable Tokens combines performance art with AI, Virtual and Augmented Reality (VR and AR) to cast a critical eye on technology’s influence in our time. The work examines the evolution of internet culture from a decolonial, feminist perspective, exposing the misogyny and racism that lurk beneath the surface of virtual spaces.
The performance also reflects on how futuristic narratives can emerge from ancient rituals and Indigenous identities – questioning which stories we choose to carry into the future.
● Claudix Vanesix (they/them) is an award-winning performance and XR artist from Peru, based in France. They are the artistic director of FIVIA (Festival International de Vidéo et Intelligence Artificielle) and co-founder of AMiXR, a collective researching feminist and decolonial approaches to AI and XR in film and performing arts – with a critical focus on sexism, racism, and digital social life. Claudix’s work challenges the notion of technological progress as inevitable by blending cutting-edge technology with ancestral traditions.
Their works have been presented internationally, including NFTs: Non Fuckable Tokens at Ars Electronica, SXSW, and Hebbel Am Ufer, and the VR film Dance Permit (Denied) at IDFA and numerous other festivals. They received the IDFA Award for Immersive Nonfiction in 2025, the Netherlands Film Fund Interactive Grant, and are a fellow of the Venice Biennale’s “Blend College” program in 2026.
