“Nicola Gunn’s theatre is tantalising, entertaining, ridiculous and often bewildering in the best possible way. This marvellously eccentric, charming and mischievous performer has created yet another stylish, inventive and startling work…mesmerising and unforgettable.” Herald Sun
“Mordantly witty, and wittily digressive.” Daily Review
“Earlier this year I got into a fight with a stranger because he was throwing stones at a sitting duck. She was protecting her eggs. The man’s children were collecting the stones for him to throw. I asked him if he could please stop what he was doing because it was unnecessary. He told me to mind my own business, or words to that effect. I was in a foreign country and we did not speak each other’s language. What ensued was an angry, abusive and physical confrontation that achieved nothing: he continued to throw stones at the duck and I walked home to write about it on facebook.” Nicola Gunn
Piece For Person and Ghetto Blaster is the story of a man, a woman and a duck. It dissects the excruciating realms of human behaviour by calling into question our capacity to make moral judgments and relate to others in an ethical way. The work is disarmingly simple – exploring in great depth the moral conundrum of what should one do if one comes across a person throwing stones at a duck – but gradually becomes mind-bogglingly complex. Threaded between observations and memories of this brief encounter with a stranger are philosophical musings about peace and conflict, moral relativism, the ethics of intervention and the very function of art.
Accompanying the text is a rhythmic sound composition and an unpredictable choreography that shifts from the unnecessary and incongruous to the strangely affecting. Piece for Person and Ghetto Blaster slips across tempos, ideas and performance modes – from movement to dance to performance art and back again – to create something inescapably unique. The culmination of these multiple layers is a work in perpetual motion, full of wit, provocation and reflection.